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Luigi
Granetto
Miart
2008: personale
di Luigi Granetto nello stand di Grossetti Arte Contemporanea Facies
2007
Opere
2007: Re
e Regina
età del ferro, "Viaggio",
Paesaggio
Opere
2006: Equilibrio
spezzato, Cornice
spezzata in blu, Cornice
spezzata in
rosso, Spaccatura
in nero, Borsa
spezzata 1, Borsa
spezzata 2
"Campi"
, "Prima
della fine", "Alarico"
per la mostra "Ausstellung
"Künstler für das Fellbach-Haus"
Art Internet
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Per informazioni, immagini delle opere descritte e stime
staff@gnomiz.it
Tel
039-2308116 Luigi Granetto (Granetto
artista) Via Vittorio Emanuele II, 42-44/ 20052 Monza Per comprare eBay
Gnomiz
Forum Vallora-Granetto: L'artista inesistente
Granetto:
Giacometti con una fotografia
di Man Ray 1992 Olio su tavola cm.70X50
Libri:
Scritti
di Giacometti; Il
naso di Giacometti. Una scultura, un simbolo Clair Jean, Donzelli
Pittore e scultore surrealista tra i più
amati del Novecento, Alberto Giacometti fu amico di artisti come Arp, Mirò,
Ernst e Picasso, e di scrittori come Prévert, Eluard, Bataille, Queneau,
Beckett, e soprattutto Sartre, col quale instaura tra le due guerre un
dialogo che influenzerà spesso l'opera di entrambi. La celeberrima
scultura che raffigura il naso, è tra quelle più evocative e al tempo
stesso enigmatiche, che meglio hanno connotato lo spirito dell'artista
svizzero: proprio attorno a questa ruota l'affascinante riflessione di
Jean Clair, uno dei più autorevoli critici d'arte contemporanei. Alberto
Giacometti Mazzotta Il volume è il Catalogo della
mostra di Ravenna (Loggetta Lombardesca, 10 ottobre 2004-20 febbraio
2005).
Alberto Giacometti
"He had
formerly been connected with the surrealists, and I remembered having seen his
name and a reproduction of one of his works in L'Amour Fou. At that time he was
making "objects" of the sort which appealed to Breton and his cronies,
and which had only a tenuous suggestion of reality about them. But for two or
three years now he had been convinced this method was getting him absolutely
nowhere; he wanted to return to what he regarded as contemporary
sculpture's
real problem-- the re-creation of the human face. Breton had been shocked by
this. "Everyone knows what a head is!" he exclaimed, a remark which
Giacometti, in turn, repeated as something shocking. In his opinion no one had
yet succeeded in modeling or portraying a valid representation of the human
countenance: the whole thing had to be started again from scratch. A face, he
told us, is an indivisible whole, a meaningful and expressive unity; but the
inert material of the artist, whether marble, bronze, or clay, is, on the
contrary, capable of infinite subdivision-- each little separate bit contradicts
and destroys the over-all pattern by the fact of its isolation. Giacometti was
trying to reduce matter to its furthest viable limits; this was how he had come
to model these minuscule, almost nonexistent heads, which, he thought, conveyed
the unity of the human face as it presents itself to the intelligent eye.
Perhaps one day he would find some other way of counteracting the dizzying
centrifugal effect of space; but for the time being this was all he could think
up." Simone de Beauvoir...Electroasylum
Artcyclopedia
, Artchive, Artchive
Giacometti-Krauss, , Large
Standing Woman I at the Cullen Sculpture Garden
Books:
bookshop
Giacometti: Alberto
Giacometti. Disegni, sculture e opere grafiche. Catalogo della mostra (Bologna,
Museo Morandi, 25 giugno-6 settembre 1999) Mazzotta Catalogo della
mostra tenuta a Bologna dal 25 giugno al 6 settembre 1999 presso il Museo
Morandi, piazza Maggiore 6.
amazon
Giacometti:
Alberto
Giacometti : A Biography of His Work by Yves Bonnefoy. Hardcover (October
1991), Alberto
Giacometti : Sculptures, Paintings, Drawings by Angela Schneider(Editor).
Hardcover (August 1997)One of the great masters of 20th-century art, the Swiss
sculptor Alberto Giacometti captured the existential loneliness of modern
humanity with his spindly, attenuated figures whose life-like gazes pierce the
vastness of space. Uniting more than 250 sculptures, paintings, drawings and
graphic works, this extensive monograph is an exemplary overview of his oeuvre.
The book underscores the continuity between the two remarkable bodies of work
that characterize his career: the pre-1935 works, which included the finest of
all Surrealist sculptures, and the post-war masterpieces. As a result of a
profound artistic crisis that began in 1934, when Giacometti returned to working
from the model and thus broke with the Surrealists, the artist began tackling
the problem of situating figures in space in an entirely new way. Painting
played a key role in the solutions that Giacometti found to this problem, and
the discussion here of the relationship between his two- and three-dimensional
works reveals him to have been as great a painter as he was a sculptor.
Contributions by several notable art historians address contemporary research
issues and offer a comprehensive record of Giacometti's life and work. Among the
many photographs of the artist and his circle are images by such notable
photographers as Henri Cartier-Bresson, Ugo Mulas and Man Ray.
Art:
Opere: Manzù,
De Chirico, Calder,
Moore, Mirò, Botero,
Beuys, Lam, Warhol,
César, Max Bill, Rosenquist,
Man Ray, Sutherland, Allen
Jones, Rauschemberg, Cagli,
Greco, Vedova, Schifano,
Vespignani, Rotella, Clerici,
Morlotti, Ben
Vautier, Gilberte Brassai, Joe
Tilson, Pistoletto, Giò
Pomodoro, Tadini, Tommasi
Ferroni, Vostell, Adami,
Bruno Caruso, Pericoli,
Merz, Cantatore, Baj,
Scanavino, Consagra,
Mattiacci, Parmiggiani,
Nespolo, Luca Alinari,
Echaurren, Santomaso,
Spoerri, Michele
Cascella, Topor, Guccione,
Mauro Reggiani,
Kienholz, Mondino, Arnaldo
Pomodoro, Pozzati, Fioroni,
Giuliano Vangi , Bodini,
Lavagnino, Victor
Pasmore, Giuseppe Guerreschi, Pietro
Cascella, Flavio Costantini, Cesare
Zavattini, Gino Marotta, Alicia
Penalba, Mario Radice, Francesco
Menzio, Armando De Stefano, Paul
Davis, Lorenzo Tornabuoni, Sonia
Delaunay, Rafael Alberti, Arturo
Carmassi, Achille Perilli, Leonardo
Cremonini, Jiri Kolar, Ibrahim
Kodra, ladimir Velickovic, Eugenio
Carmi, Renato
Volpini, Cesare
Peverelli, Pietro
Gallina, Ezio
Gribaudo, Spacal
Luigi, Hubertus
Gojowczyk, Germano
Olivotto, Lucio
Fanti, Giorgio
Giusti, Romano
Parmeggiani, Ivan
Rabuzin, Lothar
Fisher, Claudio
Verna, Stefanoni
Tino, Valeriano
Trubbiani

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