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Opere uniche: Matta, Emilio Isgrò, Lucio Del Pezzo, Rodolfo Aricò, Giovanni Sesia, Marco Lodola, Plumcake, Dario Brevi, Angelo Dozio, Agostino Ferrari, Battista Luraschi, Umberto Mariani Grafica: Valerio Adami, Franco Angeli, Piero Gilardi, Sandro Chia, Giuseppe Spagnulo, Emilio Greco, Pericle Fazzini, Dadamaino, Peter Phillips, Dalì, Man Ray, Victor Vasarely, Sutherland, Masson, Gentilini, Schifano, Matta, Rotella, Baj, Guttuso, Dorazio, Fiume, Carla Tolomeo, Annigoni, Aligi Sassu, Migneco, Orfeo Tamburi, Cantatore, Mario Nigro
a

Luigi Granetto

Miart 2008: personale di Luigi Granetto nello stand di Grossetti Arte ContemporaneaFacies 2007
Opere 2007: Re e Regina età del ferro, "Viaggio", Paesaggio 
Opere 2006: Equilibrio spezzato, Cornice spezzata in blu, Cornice spezzata in rosso, Spaccatura in nero, Borsa spezzata 1, Borsa spezzata 2
"Campi" , "Prima della fine", "Alarico" per la mostra "Ausstellung "Künstler für das Fellbach-Haus" 

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Per informazioni, immagini delle opere descritte e stime staff@gnomiz.it Tel 039-2308116  Luigi Granetto (Granetto artista) Via Vittorio Emanuele II, 42-44/ 20052 Monza Per comprare eBay

Le Grafiche Bolaffi fotografate nello studio di Luigi Granetto  

Robert Rauschemberg  grafica Bolaffi  I cinque sensi Il Tatto data: 1974 tecnica: fotolitografia
misura: 23,5 x 30 cm. Robert Rauschemberg ha autorizzato l'apposizione del "cachet" della propria firma su 5000 esemplari numerati da 1 a 5000 Stima euro 130,00  (per la foto di quest'opera coperta da diritti richiedere a staff@gnomiz.it)
Per informazioni e stime staff@gnomiz.it  
Pinacoteca di Arte Moderna e Contemporanea Tra il 1969 ed il 1982, numerosi artisti internazionali furono incaricati di creare un'opera per la copertina di Bolaffi arte, rivista bimestrale sul mondo dell'arte. Di ciascuna grafica l'editore realizzò una tiratura di 5000 esemplari, firmati, numerati e punzonati a garanzia. Le tecniche adoperate per la riproduzione furono: la fotolitografia, la serigrafia, il collage ed il rilievo. 

Robert Rauschemberg Born in 1925 at Port Arthur, Texas. In 1942 he studied pharmacy briefly at the University of Texas, following which he served in the U.S. Marines. From 1947 to 1948 he studied various subjects at the Kansas City Art Institute, including art history, sculpture and music. During this time he did window displays, executed film sets and designed photographic studios. In 1948 he attended the Académie Julian, Paris, met Susan Weil, who was later to become his wife, and returned to the USA to study under Joseph Albers at the Black Mountain College, North Carolina. There he met the choreographer Merce Cunningham and the composer John Cage in 1949 and collaborated closely with both of them. In the same year he moved to New York and studied at the Art Students' League until 1952. He did window displays for Bonwit Teller and Tiffany, had his first one-man exhibitions in 1951 and returned to Black Mountain College in 1952. He travelled in Italy, France and Spain and had exhibition in 1953 at Florence and Rome. He moved into a studio in New York in the same year and started to paint his red pictures, replacing the all-white and all-black paintings......fi.muni.cz

Books in Englis: Rauschenberg, Robert 
Robert Rauschenberg de Branden W. Joseph From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance. This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television

Amazon France: Robert Rauschenberg, peintures récentes (2000) Peintre américain (Port Arthur, Texas, 1925). Son œuvre marque, avec celle de Jasper Johns, le passage de l'expressionnisme abstrait au pop art