|
 Luigi
Granetto
Miart
2008: personale
di Luigi Granetto nello stand di Grossetti Arte ContemporaneaFacies
2007
Opere
2007: Re
e Regina
età del ferro, "Viaggio",
Paesaggio
Opere
2006: Equilibrio
spezzato, Cornice
spezzata in blu, Cornice
spezzata in
rosso, Spaccatura
in nero, Borsa
spezzata 1, Borsa
spezzata 2
"Campi"
, "Prima
della fine", "Alarico"
per la mostra "Ausstellung
"Künstler für das Fellbach-Haus"
Art Internet
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Granetto "Tono"
50X40 olio su tela
1999 "Tele Giuliane"
Granetto
l'altro lato del '900
 Forreword
english
francais
italiano
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Per informazioni, immagini delle opere descritte e stime
staff@gnomiz.it
Tel
039-2308116 Luigi Granetto (Granetto
artista) Via Vittorio Emanuele II, 42-44/ 20052 Monza Per comprare eBay
 I
libri di Severini
Gino
Severini. L'amore per il mosaico. Il carteggio tra Gino Severini e il
Gruppo Mosaicisti dell'Accademia di Ravenna Fernandel €
20,00
Gino Severini (Cortona
7 aprile 1883 - Parigi 26 febbraio 1966). Frequentò
l'Accademia delle Belle Arti di Roma e lo studio di
Giacomo Balla. Nel 1906 si trasferì a Parigi dove
strinse amicizia con George Braque, Amedeo Modigliani,
Pablo Picasso e Maurice Utrillo. Nel 1910 aderì al
Manifesto dei Futuristi. Mostre principali: Biennali di
Venezia, Quadriennali di Roma, Mostra del Futurismo a
Edimburgo, Londra, Newcastle, Comune di Milano,
antologica a Palazzo Venezia a Roma, antologica a Palazzo
Casali a Cortona, Centro Rizzoli a Milano, e molte altre
in Italia e all'estero. Sue opere si trovano nei
principali Musei del mondo e in collezioni pubbliche e
private. Continua in Gelmi
Artcyclopedia Web source
Wisc,
Artchive,
Scuola Romana: Gino Severini
Art online: Severini
Artefiera'99:
Assenza e lateralità di Luigi Granetto
BooksThe
Life of a Painter : The Autobiography of Gino Severini by Gino
Severini, Jennifer D. Franchina In 1906 the Italian futurist painter
Gino Severini arrived in Paris with no money, no name, and very few
acquaintances, only to become a key protagonist in the artistic and
literary circles that would spearhead the modernist movement. His
autobiography from this period, translated for the first time into
English, tells the story of the Parisian art world he knew so well, and
offers a unique account of the individuals and ideas that created
modernism. Here we encounter painters and sculptors such as Matisse,
Picasso, Modigliani, Braque, Gris, Dufy, Lger, Delaunay, Duchamp, Lipchitz, and De Chirico; the literary figures
Marinetti, Paul Fort, Apollinaire, Cocteau, Reverdy, and Jarry; and also the philosopher and
writer Maritain, composers Eric Satie and Igor Stravinsky, and the
impresario of the Ballets Russes, Sergei Diaghilev. Severini shared
their experiences in the studios, galleries, and cafs of Montmartre and
Montparnasse, and re-creates the passionate debates that animated those
gatherings. We witness not only the maturing of Severini's art and
aesthetic theory but also the intellectual and political turbulence that
brought forth a wealth of approaches to art in the first two decades of
this century, including futurism, cubism, surrealism, constructivism,
dadaism, and metaphysical painting. Beginning with an honest, humorous
description of his financially ill-fated family in Tuscany, Severini
goes on to describe the triumphs and mistakes of his adolescence in the
Roman art scene, where he fraternized with Balla and Boccioni. His
down-to-earth tone pervades his anecdotes and assessments of the
Parisian art world, enabling a casual reader to grasp the many issues at
stake. As Severini's status as an important painter gains widespread
recognition, this autobiography serves as a valuable resource for
critics and a thoroughly delightful, engaging account for anyone
interested in learning more about this artist who sheds new light on
many of the crucial movements of the century Severini
Futurista : 1912-1917 by Anne Coffin Hanson, et al. Paperback (January
1997) Cubism was founded in 1907, Futurism in 1909.
The former simulated the motion of an observer, by
juxtaposing multiple points of view, whereas Futurism
represented a moving object, as anticipated in the 19th
century by the photographic experiments of Muybridge and Marey. While also exhibiting with the Parisian
Cubists,
Gino Severini (1883-1966) was one of five artists (with Marinetti, Balla, Boccioni,
Carra, and Russolo) who
signed the Futurist painting manifestoes in 1910. A
review of his paintings appears to confirm that, however
close his affiliation with his Italian compatriots, he
remained sympathetic to French Cubism. This elegant
volume, which is enhanced by 86 annotated illustrations (including 41 color
reproductions), an illuminating
narrative, and his 53 letters and postcards to Filippo Marinetti, is the catalog for an
exhibition, held in
1995-96 at Yale and the Kimbell Art Museum in Fort Worth,
of 37 works he created during the halcyon years of Futurism. (Review copyright © 1997 by Roy R.
Behrens,
from Ballast Quarterly Review, Vol 13 No 1, Fall 1997)
Quotazioni Gino Severini Figura femminile, 1941 inchiostro
su carta 22x28 (1.500/2.000) 1.300 Christie's, Milano 23
novembre 1998 quotazioni in Euro
Art:
Opere: Manzù,
De Chirico, Calder,
Moore, Mirò, Botero,
Beuys, Lam, Warhol,
César, Max Bill, Rosenquist,
Man Ray, Sutherland, Allen
Jones, Rauschemberg, Cagli,
Greco, Vedova, Schifano,
Vespignani, Rotella, Clerici,
Morlotti, Ben
Vautier, Gilberte Brassai, Joe
Tilson, Pistoletto, Giò
Pomodoro, Tadini, Tommasi
Ferroni, Vostell, Adami,
Bruno Caruso, Pericoli,
Merz, Cantatore, Baj,
Scanavino, Consagra,
Mattiacci, Parmiggiani,
Nespolo, Luca Alinari,
Echaurren, Santomaso,
Spoerri, Michele
Cascella, Topor, Guccione,
Mauro Reggiani,
Kienholz, Mondino, Arnaldo
Pomodoro, Pozzati, Fioroni,
Giuliano Vangi , Bodini,
Lavagnino, Victor
Pasmore, Giuseppe Guerreschi, Pietro
Cascella, Flavio Costantini, Cesare
Zavattini, Gino Marotta, Alicia
Penalba, Mario Radice, Francesco
Menzio, Armando De Stefano, Paul
Davis, Lorenzo Tornabuoni, Sonia
Delaunay, Rafael Alberti, Arturo
Carmassi, Achille Perilli, Leonardo
Cremonini, Jiri Kolar, Ibrahim
Kodra, ladimir Velickovic, Eugenio
Carmi, Renato
Volpini, Cesare
Peverelli, Pietro
Gallina, Ezio
Gribaudo, Spacal
Luigi, Hubertus
Gojowczyk, Germano
Olivotto, Lucio
Fanti, Giorgio
Giusti, Romano
Parmeggiani, Ivan
Rabuzin, Lothar
Fisher, Claudio
Verna, Stefanoni
Tino, Valeriano
Trubbiani
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